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NAME-BEARING CLASSROOM
                                        named after Nikodim Pavlovich Kondakov
                                                    History and Philology Faculty,
                                                      BelSU Pedagogical Institute
                             Opened in 2012, the name-bearing status granted in 2013

                     Nikodim Pavlovich Kondakov (1844–1925) was the world’s fore-
                   most authority on Byzantine and Old Russian art and an academician
                   of St. Petersburg Academy of Sciences at two departments — «Histo-
                   ry and Philology» and «Russian Language and Literature».
                     The scholar was the first to describe and systematize the peculiar-
                   ities of Byzantine Orthodox art that had a decisive influence on the art
                   of Russia and Western Europe. Kondakov convincingly argued that the
                   true cultural centre of Christian Europe was the Second Rome (Byzan-
                   tium), not the First. Due to the scale of his personality, the Kondakov
                   School of Byzantine Studies emerged and exists to this day.
                     Nikodim Pavlovich was born in the village of Khalan, Novooskolsk
                   district in 1844 (now Russkaya Khalan, Chernyansk district, Belgorod
                   region). In memory of this famous countryman, the Kondakov Read-
                   ings are held at Belgorod State University, and the classroom in his
                   honour has launched a new tradition of opening name-bearing class-
                   rooms at the university.








                                                                                                  Icons came to Russia in the 10th century from Byzantium along with
                                                                                                  Christianity.  Byzantine  icons were  not  only  objects  of worship,  but
                                                                                                  also served as models for Russian iconographers. [...] Nowhere and
                                                                                                  never has an icon played such a major role as in Russia. Throughout
                                                                                                  life,  icons  were  present  in  the  home  of  a  Russian  man.  [...]  With
                                                                                                  a  prayer  before  an  icon  began  every  morning,  every  business,
                                                                                                  they  were  taken  in  long  journeys,  in  military  campaigns.  One
                                                                                                  was  born  beside  an  icon,  and  one  died  with  it.  The  icon  has
                                                                                                  always  remained  a  living  artistic  item  reflecting  the  changes
                                                                                                  in the life of people throughout the history of the Russian state.
                                                                                                                            (From the book «The Russian Icon»)




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